VULTURES /AKADEMIKS
A Repeated Disrespect of Hip-Hop Culture
Recently DJ Akademiks leaked Kendrick Lamars Set list for the Superbowl Halftime show. The gravity of disrespect is incredible because it was the first solo rap performance at the Super Bowl. In Light of this historic event the so-called “DJ” thought it appropriate to put out the set list of the halftime Superbowl performance. I don’t believe Akademiks can be any more out of touch with Hiphop and as someone who has made a living commentating on the culture, I don’t believe that was the right move. I can’t understand what the point of leaking the setlist was. But in an attempt to try to understand let’s look at the history of some of Akademik’s commentary
Akademiks has built a platform that thrives on controversy, but his approach to covering hip-hop has often crossed the line from commentary to outright disrespect. While he initially gained recognition for reporting on the Chicago drill scene, his methods often sensationalizing violence and instigating beef have made him one of the most polarizing figures in hip-hop media.
One of Akademiks most infamous moments came when he disrespected legends of the genre, particularly his comments about older rappers being dusty and irrelevant. This sparked a backlash from respected figures like LL Cool J, who reminded him that without those pioneers, there would be no hip-hop industry to profit from. Akademiks dismissive attitude toward hip-hop history highlights his lack of respect for the culture beyond the clout and entertainment value it provides him.
Beyond the legends, Akademiks has also contributed to a toxic atmosphere by amplifying rap beef. His coverage often prioritizes internet drama over musical artistry, treating conflicts as entertainment rather than recognizing the real-world consequences. His role in escalating situations whether it was with Chicago drill rappers or his relentless coverage of artists like Meek Mill, Freddie Gibbs, and Blueface shows a pattern of stirring negativity rather than uplifting the culture.
Additionally, his personal feuds with artists often reveal his bias. His public falling out with YSL and Lil Baby, his disrespect toward women in hip-hop, and his frequent social media rants show that his coverage is often rooted in personal vendettas rather than objective journalism.
Hip-hop deserves media figures who respect its legacy, not those who exploit its chaos. Akademiks behavior reflects a larger issue in hip-hop media one where clicks and controversy take precedence over culture and credibility.
